Redwing, Glad, New Breed - disography
Click on the following anchors to obtain more information about each of the following recordings:
The New Breed Want Ad Reader (collection) 1965/66
Glad Feelin' Glad 1968
Redwing Redwing 1971
Redwing What this Country Needs... 1972
Redwing Take Me Home 1973
Redwing Dead or Alive 1974
Redwing Beyond the Sun and Stars 1975


Want Ad Reader (collection)
Material From: the Sixties
Personnel:
    Ron Floegel (rhythm guitar, vocals)
    George Hullin (drums, vocals)
    Tim Schmit (bass, vocals)
    Tom Phillips (guitar, vocals)

The Cicadelic release, Want Ad Reader, is a collection of singles and recordings by the New Breed from back in the 60s, mostly 1965 and 1966. The earliest of this material is very British Invasion influenced/Garage Band sounding. Some of the later songs in this collection are more indicative of the experimental sounds of the era. Below, you'll find some known information about some of the songs.

Song Title  Info Lead Vocal
Woman No information available Schmit
Pretty Woman Roy Orbison's classic song Schmit
I Ain't Got You This song had been done by the Yardbirds Schmit
Bald Headed Woman An old novelty song Schmit
She's Gone A New Breed Original by Ron Floegel Schmit
The Girl Can't Help It A Little Richard song
Hullin
She's a Woman No information available Phillips
I'll Come Running This song had been done by Lulu Schmit
Green Eyed Woman A New Breed original Schmit
I'm in Love Written by Lennon & McCartney Schmit
I've Been Wrong Before A New Breed Original Schmit
Leave Me Be This had been done by the Zombies Hullin
Miss Ann A Little Richard song Floegel
The Sound of Music A New Breed Original Schmit
Want Ad Reader A New Breed Original Schmit
One More For the Good Guys A New Breed Original (Instrumental)
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Feelin' Glad
Released: 1969 (68?)
Personnel:
    Ron Floegel (rhythm guitar, vocals)
    George Hullin (drums, vocals)
    Tim Schmit (bass, vocals)
    Tom Phillips (guitar, vocals)

This record, produced by Erik Wangberg, was the first full length LP released by the group. The songs reflect the changing times and are filled with great hooks and great vocals. In the studio, the band did lose a degree of creative control on this LP, and, as a result, not all the memories of this album are favorable: Most notably, "Shape of Things to Come" and "Love Needs the World" were written by people outside the band and already had instrumental tracks recorded. As a result, Tim Schmit's vocal is the only thing that was added, and the band was not included on those tracks. Also, the production on "New Tomorrow" features lavish strings and orchestration, much to the dismay of the band.

Song Title  Writing Credits Lead Vocal
A New Tomorrow (Floegel) Schmit
Say What You Mean (Floegel) Schmit
Bedtime Story (Floegel/Phillips) Schmit
Pickin' Up the Pieces (Floegel) Schmit
Shape of Things to Come (Mann/Weil) Schmit
Love Needs the World (Wangberg) Schmit
Sweet Melinda (Floegel/Phillips/Schmit) Schmit
Let's Play Make Believe (Floegel/Phillips) Schmit
No Ma, It Can't Be (Floegel) Floegel
Two Worlds (Floegel) Schmit
Johnny Silver's Ride (Floegel/Phillips) Schmit
Silly Girl
(Floegel) Schmit
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Redwing
Released: 1971
Personnel:
    Ron Floegel (rhythm guitar, vocals)
    Tom Phillips (guitar, slide guitar, piano)
    George Hullin (drums, vocals)
    Andrew Samuels (lead guitar, bass, vocals)

This is the first Redwing album.  This is a down 'n' dirty record with lots of attitude and punch.  At times, it's bordering on hard rock, but the harmonies are intact and the melodies are strong.  There's lots of energy, and it is quite different than the previous Glad and New Breed efforts.  A little bluesy, a little gritty.  This is an excellent record; arguably the strongest thing ever recorded by the group, pre- or post-Schmit.

Song Title  Writing Credits  Lead Vocal
The Underground Railway (Floegel/Samuels/Phillips) Samuels
Please Doctor Please (Floegel/Samuels) Samuels
Bonnie Bones (Floegel/Samuels/Phillips) Floegel
Dark Thursday (Floegel/Samuels) Samuels
Sweetwalkin' Lady (Floegel/Samuels) Floegel
I'm Your Lover Man (Floegel/Samuels/Phillips) Floegel
Shorty Go Home (Floegel/Samuels) Samuels
Hogtied (Floegel/Samuels/Phillips) Floegel
I'm Counting On You (To Come Through) (Floegel/Samuels/Phillips) Floegel
Oh Maggie (Don't Lift The Weight) (Floegel/Samuels) Floegel
(Tell Me Baby) Why You Been Gone So Long (M. Newbury) Hullin
California Blues (J. Rogers) Floegel
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What This Country Needs...
Released: 1972
Personnel:
    Ron Floegel (rhythm guitar, vocals)
    Tom Phillips (guitar, slide guitar)
    George Hullin (drums, vocals, trumpet)
    Andrew Samuels (lead guitar, vocals)
Also:
    Tim Schmit (bass)
    Dave Lyberger (bass)
    Dave Fraser (piano)
    Skip Mesquite (saxophone)

A natural follow-up to the self-titled LP, this record is a bit bluesier than its predecessor, and not quite as gritty.  There are three cover songs on this album, all of which are based on basic 12-bar blues patterns.  Another strong album, although two Chuck Berry songs may be too much. While the band used songs they'd been playing for years on their debut, this LP finds the group with not as many up-to-snuff originals ready to roll--thus the number of cover songs. It's still a good LP, and the songs are well-done.   George Hullin writes a tune on this record.

Song Title  Writing Credits Lead Vocal
Reaching Out (Samuels/Phillips/Floegel) Samuels
Baby C'mon (Phillips/Floegel) Floegel
Waitin' In Jail (Samuels/Phillips/Floegel) Samuels
Walkin' the Dog (Rufas Thomas) Samuels
Soul Theft (Samuels/Phillips/Floegel) Floegel
Hometown Boy (Samuels/Floegel) Samuels & Floegel
Bye Bye Johnny (Chuck Berry) Samuels
Every Man Needs a Woman (Samuels/Phillips/Floegel) Floegel
One of America's Ten Most Wanted Men (Hullin) Hullin
Oh, Carol (Chuck Berry) Samuels
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Take Me Home
Released: 1973
Personnel:
    Ron Floegel (rhythm guitar, vocals)
    Tom Phillips (guitars, keys, vocals)
    George Hullin (drums, vocals)
    Andrew Samuels (guitar, bass, vocals)
Also:
    John Myers (bass)

A big change for the band, as the harder-edge is replaced with elements of country and bluegrass, including two bluegrass instrumentals.  The guys are starting to write on their own on this album, whereas previously, there were mostly collaborative efforts between the band members.  Tom Phillips seems to be bringing most of the country influence.  Phillips also sings lead for the first time on a Redwing album.

Song Title  Writing Credits Lead Vocal
Here I Go Again (Phillips/Floegel) Floegel
Fast Locomotive (Floegel) Floegel
Our Day (Samuels) Samuels
Katy Warren Breakdown (K. Warren, arr. Samuels) - (Instrumental)
Lost Highway (Samuels/Phillips/Floegel) Floegel
Take Me Home (Phillips) Phillips
Lowdown Samuels (Bogas) Hullin
The Maker's Chain (Samuels) Samuels
Fingerlickin' (Phillips) (Phillips) (Instrumental)
Burnin' Love (Floegel) Floegel
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Dead or Alive
Released: 1974
Personnel:
    Ron Floegel (guitar, vocals)
    Tom Phillips (guitars, vocals)
    George Hullin (drums, fiddle, vocals)
    Andrew Samuels (guitar, bass, harmonica, vocals)
Also:
    David Fraser (piano)
    Tiny Moore (fiddle, electric mandolin)
    Kenneth Nash (percussion)
A continuation from Take Me Home, again, this album features elements of country and bluegrass.  Tom Phillips is writing and singing more than ever, and Andrew Samuels no longer appears to be writing.  Again, these songs are mostly one-person efforts, and not collaborations.
Song Title  Writing Credits Lead Vocal
I'm Holdin' On (Phillips) Samuels
You've Got It (Phillips) Phillips
Two Brothers (Dead or Alive) (Phillips) Samuels
The Rhythm King (Floegel) Floegel
Early Mornin' Sunrise (Phillips) Samuels
Foxfire (Phillips) (Instrumental)
Shine on Me (Phillips) Phillips
Angel Eyes (Floegel) Floegel
Give Me a Song (Phillips) Phillips
Rainbow Mountain (Floegel) Floegel
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Beyond the Sun and Stars
Released: 1975
Personnel:
    Ron Floegel (guitar, vocals)
    Tom Phillips (lead, steel, and slide guitars)
    George Hullin (drums, fiddle, vocals)
    Andrew Samuels (lead guitar, keyboards, vocals)
Also:
    Buddy Harpham (bass, vocals)
The band has toned down the country on this and is incorporating more electronics.  Phillips and Floegel are again collaborating.  Tom Phillips is still writing a lot, but he doesn't sing on the record.  Andrew Samuels is still not writing. While the record has some strong points, it seems inevitable that the break-up is impending.

Song Title  Writing Credits Lead Vocal
Beyond the Sun and Stars (Phillips) Samuels
Take a Chance (Floegel/Phillips) Samuels
Louisiana Heartbreak Cajun Swamp Queen Blues (Why oh Why) (Floegel/Phillips) Floegel
Hollywood Bump (Floegel/Phillips) Floegel
Jive Talk (Phillips) Floegel
Salty Tears (Floegel/Phillips) Samuels
More of You (Floegel/Phillips) Samuels
Out on the Highway (Phillips) Floegel
Tainted Fame (Floegel/Phillips) Floegel
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